Renseignements généraux

Nº de série

S/O

Nº de partie

4

Nombre total de parties

4

Ou

S/O

Brevets

S/O

Description générale

Round black synthetic lens cap has smooth finish.

Dimensions

Remarque : Cette information reflète la taille générale pour l’entreposage et ne représente pas nécessairement les véritables dimensions de l’objet.

Longueur

S/O

Largeur

S/O

Hauteur

1,7 cm

Épaisseur

S/O

Poids

S/O

Diamètre

5,1 cm

Volume

S/O

Lexique

Groupe

Photographie

Catégorie

Pièces d'appareil-photo

Sous-catégorie

S/O

Fabricant

Ou

Leica

Pays

Inconnu

État/province

Inconnu

Ville

Inconnu

Contexte

Pays

Canada

État/province

Inconnu

Période

This example used c. 1982-1996, and probably later; possibly also used earlier.

Canada

All items were owned and used by Fred Phipps, a professional photographer based in Toronto and employed by the Canadian Broadcasting Corporation. Mr. Phipps studied photography at Ryerson Polytechnic Institute. Running short of funds, he left the program before graduation in January 1957 to take a job with the CBC photography department. He remained with the CBC for almost 35 years, during which he worked as a staff photographer and as National Photo Editor. After retirement in 1992 he continued to produce photos for the CBC as a freelancer. Over his long career, Mr. Phipps completed thousands of portraits and candid photos of CBC personalities and productions (e.g. David Suzuki, Foster Hewitt, Joe Schlesinger, Front Page Challenge, The Beachcombers, Friendly Giant, Mr. Dressup, Seeing Things). These were circulated to print media for publicity purposes or were used internally as “ID slides” for on-air program promotion. Attracted by the Leica’s reputation for craftsmanship and excellent optics, Mr. Phipps purchased his M4-P around 1982 from Toronto Camera Exchange (Rutherford Photographic). Although Mr. Phipps was also using Nikon and Hasselblad SLRs at the time, he liked his MP-4 for use in the television studio because its quiet operation (without winder) was less likely to be picked up by microphones. This was a feature that Leica promoted in its marketing of the M4-P. With its bright, high contrast viewfinder and fitted with the Summilux 35 mm f/1.4 lens, the camera was also excellent for shooting in available studio light where a flash would again have been disruptive. Offering a wide angle of view and good depth of field, the Summilux was his preferred lens for candid studio shots where he wished to show the performers in context. Its optics were so good that a 35 mm negative could be enlarged to 16x20 inches with minimal grain. The 90 mm Tele-Elmarit lens on which this lens cover was fitted was generally used for portraiture. [Ref. 1]

Fonction

To help protect lens surface, and prevent dirt entering lens casing when not fitted to camera.

Technique

The Tele-Elmarit lens is a 90 mm f/2.8 lens featuring four lens elements. Introduced in 1973, it is the second version of this model. The first, which incorporated five elements, had been in production since 1964. Already a relatively compact lens for this focal length, the second version was lighter than the first. It is a moderately long focus lens well suited to photo-reportage, portraiture and other forms of photography where a large image, moderate depth of field and narrow angle of view are desirable. [Ref. 1]

Notes sur la région

Inconnu

Détails

Marques

" LEICA" and "14269" cast in raised print on underside.

Manque

Appears complete.

Fini

Round black synthetic lens cap has smooth finish.

Décoration

S/O