Renseignements généraux

Nº de série

S/O

Nº de partie

1

Nombre total de parties

1

Ou

S/O

Brevets

S/O

Description générale

ferrous metal fork and screw/ non-ferrous metal nut and part

Dimensions

Remarque : Cette information reflète la taille générale pour l’entreposage et ne représente pas nécessairement les véritables dimensions de l’objet.

Longueur

45,0 cm

Largeur

5,1 cm

Hauteur

3,5 cm

Épaisseur

S/O

Poids

S/O

Diamètre

S/O

Volume

S/O

Lexique

Groupe

Physique

Catégorie

Acoustique

Sous-catégorie

S/O

Fabricant

Ou

Koenig

Pays

France

État/province

Inconnu

Ville

Paris

Contexte

Pays

Canada

État/province

Ontario

Période

Inconnu

Canada

A piece of French made equipment from the original laboratories of one of Canada's premier research schools. These apparatus derive from the earliest days of physics teaching at Western University in London (1920s). In the late nineteenth century, Canadian scientists such as J.C. McLennan (Canada's first PhD in physics in 1900, U of T) learned the basics of physics using these apparatus. The maker, Rudolph Koenig, was influential in helping Prof. James Loudon establish the first teaching laboratory in Canada in the 1870s and 80s, which was emulated at other schools such as Queen's, Western and McGill. These particular apparatus were probably obtained c. 1920 by Raymond Compton Dearle, who had done a PHD at the University of Toronto under J.C. McLennan. The French connection is also significant. In the late nineteenth century, every college and university in Canada and the United States bought instruments from Paris. They were deemed an essential part of early research and teaching.

Fonction

An instrument which, when struck, audibly reproduces a note of a definite pitch

Technique

An early acoustical instrument. The manufacturer's catalogue (Ref. 2) describes an identical or similar item as a Tuning fork with sliding weights for Bezold's continuous progression of tones, for testing sensitivity of the ear to sound (Ref. 2). Acoustical demonstrations were an enormously popular part of basic science and physics education during the nineteenth century. They were the foundation of fundamental studies in physics, musicology and psychology. Teaching laboratories and conservatories across Europe and North America had large acoustical collections for demonstrating and experimenting with sound phenomena; acoustical instruments were also used extensively for public lectures on "the science of musical sounds." Rudolph Koenig (1832-1901) was the most prolific and influential acoustical maker of the nineteenth century. He pioneered graphical and optical acoustics and perfected the making of tuning forks. He began work as a violin maker for J.B. Vuillaume and moved into the precision instrument trade in Paris during its height (1830-1880). His workshop on Quai d'Anjou, which was based on the master artisan model, was a popular meeting place in Paris for scientists, musicians, physicians and science agents.

Notes sur la région

Inconnu

Détails

Marques

incised '100 VD' and "K' logo on one side

Manque

unknown

Fini

plated? fork/ plated shaft/ gold coloured nut and screws

Décoration

S/O